The funniest, or the one I remember, was a long tale of heroic Hollywood filmmaking that involved the famous director Cecil B. DeMille and his favorite cameraman, good ol' Charlie. Good ol' reliable hard-of-hearing Charlie, who had worked on every film C.B. ever made. He never missed a beat. They practically read each other's minds.
There are different versions of this joke online. But this is how I remember my dad telling it:
C.B. was directing a massive battle scene that involved a vast set filled with thousands of extras and animals on this particular day.
The climactic scene involved bursting a massive dam, a flood, and a fire that would destroy a town and consume a battle. In short, it involved the destruction of a vast, very expensive set.
It was a one-off. There was no way to rebuild such a massive set if something went wrong. Careers were on the line.
So C.B. covered himself by having the final scene filmed by four cameras. Each camera was in a different location. Walkie-talkies allowed the director to communicate with each camera operator.
The moment came. C.B. grabbed the walkie-talkies and shouted "ACTION!"
The scene went off without a hitch: the ground shook, the dam collapsed, buildings burned, and troops drowned. Everything went perfectly! When the dust settled, and the water drained away, and the fires were put out, and the extras and animals were safe and accounted for, C.B. sighed with relief. The hard part was over.
Feeling excited about his triumph so far, C.B. checked with the first cameraman.
"Did you get the shot?" C.B. asked.
"That was the most amazing thing I ever witnessed," said the first cameraman. "But no, I'm afraid not, Mr. DeMille. There was so much smoke from the fire that when the wind shifted, it blocked my shot."
That caused C.B. some concern, of course, but he had three other cameras. He called on the second camera operator.
"Did you get the shot?" C.B. asked again.
"Oh, Mr. DeMille," came his reply, "I'm so sorry, the vibration from the earthquake machines knocked my camera over, and all I got were shots of people's feet just before a chariot drove over the camera and snapping its lens clean off."
Now C.B. started to worry. Two out of four cameras missed the scene. His heart pounding, he contacted the third camera operator.
The reply caused sweat to break out on his forehead, "Mr. DeMille, I'm very, very sorry, but my assistant loaded the film backward. The film jammed in the camera, and we got nothing."
Now C.B. was in full panic mode. The most expensive scene in movie history and three contingencies had failed. His hands shook so badly he could hardly work the walkie-talkie to reach his last cameraman, good 'ol Charlie. To give himself a chance to calm down, he started asking Charlie a few preliminary questions.
"Hi, Charlie. How was the smoke up where you were?"
"What?"
"How’s the smoke up by you?"
"No worries, C.B. My view of the set is crystal clear."
"Good, good. And did you have any trouble with the earthquake machines?" C.B. asked.
"What machines?"
"The earthquake machines."
The reply was heartening, "Solid as a rock up here. I weighted the camera down to eliminate any shaking."
"Good idea, Charlie!"
Thinking this might work out, Mr. DeMille asked one last question. "How about the film? Was it loaded correctly?"
"What about the film?"
"Was it loaded correctly?"
C.B. hears Charlie tapping his camera. "Don't worry, C.B. I loaded it and checked it myself — twice!"
"Excellent! Excellent, Charlie! That's music to my ears. I knew you’d be ready!"
To which Charlie replied. "Ready when you are, Mr. DeMille."